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The Lightning Field Adventure

Gina Talley July 25, 2025

I will travel to see art. In 2015, I began travelling for specific art "things." Very depressed after an unexpected and dramatic breakup, I decided that if I looked at enough art, I would feel something again. I dragged myself through day trips to New York, visiting galleries and museums, as well as trips to DIA: Beacon, Dia Bridgehampton / The Dan Flavin Art Institute, Storm King Art Center, the Hirshorn Museum, MASS MoCA, The Art Institute of Chicago, Frank Lloyd Wright houses in Chicago and Pennsylvania, Taliesin West, and Marfa (twice). I enlisted others (well, some friends and family were quite willing) to join me at LACMA, Crystal Bridges Art Museum, a Frank Lloyd Wright skyscraper (The Price Tower) in Oklahoma, the Hollyhock House in LA, the Dallas Museum of Art, Kimbell Art Museum, The Georgia O'Keeffe Museum, the Tate Modern, and Yorkshire Sculpture Park. The turning point of my art quest was a trip to Art Basel in 2017 (and Kunsthaus Zürich, Vitra Design Museum, MAMCO Genève, Kunsthalle Basel, Fondazione Prada, Dan Flavin's chapel, Chiesa Rossa, and Triennale Milano). That was my first solo international trip. Besides seeing all the art, I found some freedom in being alone, abroad. I hadn't "seen enough," but I had developed some opinions about art museums and what they can or cannot bring to the art, as well as when you do and do not need to see art. Since 2017, I have continued to seek out specific museums and exhibits. For example, I planned an entire trip to Japan around a visit to Naoshima.

Walter De Maria's The Lightning Field (1977), a remote land art work located three and a half hours southwest of Albuquerque, had been on my list for years. That's about the same amount of travel commitment required to visit Marfa (a connecting flight through DFW, and a long drive). Two years ago, I decided to start emailing for tickets. You must submit an email request at midnight MT on February 1st. You can request dates, but you're not guaranteed anything. Only six people can stay at the cabin per night, from May to October. Since my schedule is somewhat flexible, I offer wide availability, but I'd prefer something from May to August. The first year I submitted a request, the proposed date didn't work: graduation. This year, I was offered Memorial Day Weekend. I knew I could make it work; all I needed was someone to go with me. My first choice made complete sense, and I planned the trip with her endorsement. But when it came to flights, I never heard back. So, I booked my flight and decided to ask my friend Aaron. He started van life in early May and could be in New Mexico by late May. I had already planned the trip: two nights in Truth or Consequences (for a visit to White Sands), a stop at the Very Large Array on the way to The Lightning Field, one night at the field, and one night in Albuquerque. We had gone to the eclipse and Big Bend National Park last year, so I knew we could easily handle this road trip and have a good time.

Aaron picked me up in the van he drove from PA, at ABQ, on a Thursday afternoon. After a stop for a green chile cheeseburger (I remain vegetarian at home, but NM is pretty far away) at The Owl Bar & Cafe in San Antonio, NM, we continued south to Truth or Consequences. I had been there once before, on one of my last trips before the COVID pandemic, during the first week of March 2020. The town had aged and declined even more in the previous five years. However, the brewery was still there, and a new pizza place had opened. The next day, we drove to White Sands, with stops in Hatch, Las Cruces for Mexican food at La Nueva Casita Café, and PistacioLand for ice cream and snacks.

We arrived a few very hot (90 degrees) hours before sunset at White Sands National Park. I wanted to see sunset over the dunes. I'd been to White Sands twice before, both during the day. I relaxed and took photos from the original MCM picnic shelters in the parking lots (I'm obsessed with their design), while Aaron made some repairs on his van. We walked out on the dunes before sunset and wandered. We both take photos. I had never seen the park so crowded. Both of my visits had been in March, and the park had been empty. The clouds were just right for a sunset. Indeed, I saw the cotton candy, pastel clouds of the southwest that I hoped to see. They just don't make colors quite like that on the East Coast.

The next day, after a stop at Blake's Lotaburger for breakfast burritos in Socorro, we drove to the Very Large Array. Everyone who knows me knows I have "starred places" all over the world on Google Maps. I "star" all kinds of things, everywhere; whenever I learn about something I want to see, do, visit, or eat, I star it. Perhaps I'll visit that country, maybe I won't, but I've already conducted some research. The Very Large Array, a radio astronomy observatory comprised of twenty-eight 25-meter radio telescopes, had been on my map for a decade. But, despite several long southwest road trips and visits to NM, it had eluded me. Finally, this curious stop was in the trip's path. We stopped and took photos, but we had to arrive at the Lightning Field office by a specific time. We visited the Array the next day as well. I became obsessed with this bizarre spot from the movie Contact, and I have a t-shirt of it, made by a female-run motorcycle apparel company. Learning more about the observatory was super cool. The tone that "science is real" was strong here.

After arriving at the DIA office in Quemado, you leave your car and take a van for 45 minutes to The Lightning Field. We met the three people we'd stay with in the cabin: very lovely, art-interested or art-related people from Brooklyn. In all of the art pilgrimages I've been on, there are always New Yorkers, dressed in black, with fun glasses (often, like on the many trains and ferries to Naoshima, you can tell you're on the correct path by seeing these individuals). I admit, I can look very similar.

The incredibly friendly caretaker drives you to the rustic, original homesteader cabin, and tells you the rules: no photos out of respect to the artist, and don't touch the poles. Dinner and breakfast are prepared for you in the fridge, along with the necessary instructions. There are beds for six. We chose the part of the cabin with a separate entrance, two twin beds, and a bathroom.

Immediately, I wandered into the field. The 1977 work is "400 polished stainless-steel poles installed in a grid array measuring one mile by one kilometer. The poles—two inches in diameter and averaging 20 feet, 7½ inches in height—are spaced 220 feet apart and have solid, pointed tips that define a horizontal plane." The art was intended to be experienced over a long period, in small numbers. This concept reminds me of Donald Judd's philosophy on art: see a single artist's work, all of it together, in a permanent place. By immersing yourself in one artist's work, in the way they intended, you truly experience their art. This site is a variation on that. The importance of "the light" also reminds me of James Turrell's work (he uses light as his medium for a variety of sculptures and installations). His Skyspaces are best viewed in the hour before sunrise and the hour after sunset. So, I knew that those hours would be the best time for The Lightning Field. The starkness of overhead light would not offer much to the stainless steel poles. But I wanted to walk the landscape and experience it as much as possible. The New Mexico sky and landscape have inspired countless artists; Georgia O'Keeffe, for example, would wander for hours and find something for her work (and cow skulls that ended up in her paintings). We went out into the field again before sunset, walking to the very edges. I watched the clouds and knew there were likely to be a few minutes when the sun would peak out and light up the field. Not to sound obnoxious, but photographers are constantly assessing the light, watching the direction of the clouds, and judging time and seasons by the sun's movements. Indeed, the sun came out for less than ten minutes, and "it" happened. The thing I imagined would happen with the field did happen. We walked back to the cabin for dinner and went to bed relatively early.

I made it up for sunrise, barely. I could see the sunrise from my window, and I knew it was cloudy, which meant the pre-dawn hour would be a little less interesting. About ten minutes before daybreak, I walked out into the field. We were all out there, in separate places. It felt like we were waiting for something significant to happen; it makes you understand why people celebrate the light. Indeed, it seemed triumphant when the sun came up over the horizon. The thing happened again, for just a few minutes, before the sun hid behind the clouds. About so much of life, I have adopted the child-oriented philosophy: "You get what you get and you don't get upset." I did not expect that lightning would happen. I know the monsoon season is later in the summer. I would have been happy with any weather. Regardless, I saw the artists's vision, as intended. That was enough. I'd go back in a heartbeat, because each sky, sunset, and sunrise is different. And New Mexico, quite often, has breathtaking ones.

After the van ride back to the DIA office, we drove to the Array, had lunch in Socorro, and checked into our Airbnb in Albuquerque. Aaron chose the 66 Diner for dinner. The staff were all punk kids, but they dressed in 1950s-style diner outfits, creating a very fun juxtaposition.

The next morning, we wandered around Albuquerque's Old Town. I had never been there before, despite my travels to New Mexico. My flight was in the early afternoon. I said goodbye and good luck to my friend. I won't see him again until he returns to PA in December. We had another unique trip in the desert together: many thanks to him for joining my pre-planned adventure and going along for the ride.

I'll continue to travel for art. Art offers wonder and surprise. It kept me alive for many years. In those intervening years, I developed my own art practice in photography. It's a practice that has saved me on many days. And art is something we all may need, now more than ever.

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Spring Break in Mexico City

Gina Talley July 16, 2025

I visited Mexico City for Labor Day Weekend in 2017. I had recollections about the place; many of those food-based ideas held, but the city was quite different from what I recalled. This time, I spent a week staying in two different neighborhoods: La Condesa and Roma Norte. After enjoying the warmth of Mexico last spring break, we decided to return.

We arrived on a Saturday and checked into a gorgeous Airbnb in La Condesa. I highly recommend staying in this quiet neighborhood with giant tree-lined boulevards and many nice restaurants and bars. Our Airbnb, a very modern condo building, had private security, which can feel a little strange and reminds you that you're somewhere else. We had dinner at Lardo. Honestly, we had their pastries for breakfast the next two days, and they were much better than the underseasoned dinner items.

After pastries from Lardo, we spent most of Sunday in the markets in Lagunilla. There is a vintage/antique flea market that pops up on Sundays, but there are also permanent city-block-size markets that sell everything you could possibly want. No one needs Amazon in Mexico City because of the markets. I had missed the market culture on my first trip. There is a market for everything; many are permanent, but others appear on specific days in certain neighborhoods. Closing the streets for markets doesn't seem to be an issue. Cash is still very much required in Mexico. In Lagunilla, we wandered the packed sidewalks and side streets for hours. One of the highlights was a solid classic rock cover band playing in the middle of everything. Then we walked through the Constitution Plaza and had churros at El Moro. They were nowhere near as good as they were on my first visit. Then, we stopped at a natural wine bar, NATAS, before heading home. We were tired, but it was the night of the Oscars. I was very invested in a few categories. We found a way to watch a Mexican broadcast with live translation. I stayed up to see Mikey Madison and Adrien Brody win.

The next day, we took it easy with pastries from Lardo, a Bikram Yoga class in Spanglish, and a quick walk around Polanco before our dinner reservation. I conducted some food research, as I always do, and discovered Gaba Restaurante. Every article made the food sound interesting. The photos looked beautiful. Social media tends to highlight certain spots that aren't very good, so I actively look for restaurants that don't appear on Reels or TikTok (and avoid those that do). I made this reservation before the trip. The dinner was one of the most memorable meals of my life. Every dish was creative and involved a counterintuitive use of indigenous and seasonal ingredients. The technique was perfect; everything about the dinner was perfect.

The next day, we booked a long street food tour through Airbnb Experiences. The tour has thousands of reviews and a nearly 5.0 rating. After my first trip, I knew that there were many spots tourists wouldn't find and it would be easier to go with a guide. We met up with the small group early in the morning and took the subway to Mercado de Jamaica, the flower market. The subway is cheap (27 cents) and subsidized; our tour guide told us a story about protests that occurred when the price increased in 2013 from 3 to 5 pesos. That story alone reveals a great deal about the culture.

The flower market was fascinating; the flower-buying and giving culture is alive and well in Mexico City. We learned that families live in the market for days, above their stand, and rotate out after a few days. Our first stop was a fruit stand, where we tried a variety of mostly unfamiliar indigenous fruits. Many of them were utilized in the dinner we had the night before. The next stop was for street corn, just amazing. Then, we stopped at six taco stands. I had no idea there was a special name for each kind of taco. The basket tacos (tacos de canasta), in particular, were a new concept to me: tacos made early in the morning, wrapped in plastic and cloth, placed in a basket, and then attached to the front of a bicycle and sold on the street. We also stopped at a market to try insects. They were all dried, seasoned, and incredibly unique: an ant tasted like butter. Nearly the last stop was a pulqueria: a unique and new concept to me. Pulquerias are similar to bars but only serve a fresh, lightly fermented agave nectar beverage, pulque. There are different flavors, and it has a unique texture and smell. Apparently, the pulquerias have a bad reputation because the drink contains a tiny amount of alcohol, but the spot was entirely friendly. It seemed to be a dying, pre-Hispanic cultural practice. We finished with one more taco stop, this time al pastor-style, and then had churros. I can't recommend this tour enough. It was led by an introvert, around the age of 30, who knew everything and would answer any question. Typically, these food tours are led by extroverts who encourage everyone in the group to participate in conversation. This experience was different, quiet, and relaxed. The whole group was a calm bunch. It made the six hours together rather nice.

The next morning, we moved to an Airbnb in Roma Norte. We had a nice breakfast at Maleza and had booked a massage. It was a lovely relief after days of walking. I've learned that I need to pace my walking a bit. We checked into the new Airbnb, which wasn't more than a mile away, but the neighborhood felt entirely different: younger, louder, and more active. I stayed in Roma Norte on my first trip, but it had changed in the last eight years. It was more developed and busy. We stopped at a beer bar before heading to dinner at a one-Michelin star restaurant, Rosetta. Honestly, it was not very memorable. During the dinner, I made a second reservation for lunch at Gaba.

The next day, we took an Uber to the Frida Kahlo neighborhood of Coyoacán. I didn't feel the need to experience the crowded house tour, but walking through the neighborhood was nice. It's quite different and feels like a small town within Mexico City. Then we went to Luis Barrigán House, a lesser-traveled house tour. I'm a fan, and I love seeing how artists lived and what they chose to put in their spaces. Notable to me is that the only photo in the home is a well-known Edward Weston photograph. After, we went to Nevería Roxy for ice cream / shaved ice. They had some seasonal fruit favors that were awesome. By this point, my travel partner was sick with a strange form of food poisoning but was doing his best to make it through. We had a reservation at Campobaja. The seafood was spectacular, but I ended up eating most of it.

The next morning, I went out for coffee and pastries at Postales de Café. On our last full day, we squeezed in a few museum stops: Museo Tamayo (a contemporary art museum), the Botanical Gardens, and the National Museum of Anthropology. The last stop had a Sebastião Salgado exhibit on the Amazon. The photo exhibit was fantastic. There were endless giant prints. I'm glad we went, as I had never seen his work in person before, and he passed away two months later. Then, we went back to Gaba for lunch. There was a tomahawk pork dish I had wanted to try. Again, everything was just perfect. I can't recommend this restaurant enough.

The next morning, I grabbed us coffee before heading to the airport. Uber's service in Mexico City is easy and affordable, even with the constant traffic. Overall, aside from the food poisoning, it was a very fun trip. The weather was warm and dry. We never saw rain. The food was delicious, the photography opportunities were plentiful, and the people were pretty nice. Last year in Oaxaca, we joked that we should spend every Spring Break in Mexico (not the Mexico my students go to), but we might change it up next year. There's more to see out there.

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30 in 30, 1993 Films

Gina Talley July 5, 2025

Sometime in May, I decided to watch a movie every day in June from the year 1993: a fun assignment for myself. "30 in 30" felt right, a play on 30 for 30. I teach and practice a style of yoga where completing a "30-day challenge" was the norm. So, I spent 57 hours watching movies in June.

I realized I had a busy June despite it being my "summer break." Most months, I'm not home every day to do something like this, and the academic year is too busy. I wanted last summer to be "my" summer, and it wasn't. Therefore, this project was part of my attempt to claim this summer and follow what "feels right" each day. I worked my three part-time jobs 25 out of 30 days. Most days, I woke up at 6 AM to watch a movie and then went to work. Quite a few days, this project gave me a reason to get out of bed.

Inspired by my use of constraints in photography, I appreciated the limitations of a single calendar year. I was going to pick 1993 or 1995, but the former has two of my favorite films in it. Also, I was nine in 1993. I don't have any memories from 1993. This entire venture was a historical and escapist effort to learn something about the year. Escapism is one of the reasons I study history; I appreciate the opportunity to imagine other times and places. And, given the present, escaping to the past seemed appealing.

I reviewed the list of films released in the US in 1993 and cast a wide net to begin. I searched for films I had seen and those I had not, as well as directors and actors I was familiar with. I kept the day-to-day selection loose and dependent upon my mood. At one point, I ended up on a run of period pieces. At another point, I went down an Oscar path. A week before it was over, I revisited the entire 1993 list to make sure there were no glaring omissions. I didn't want the month to end and was worried I'd make a wrong choice in the last week. Ultimately, there can't be wrong choices, but by the end, I was pretty invested. The hope was to find surprises, revisit films I thought I knew, and learn something about filmmaking in 1993.

The biggest takeaway is that there were so many excellent films in one year. Today, I feel pleased if three films in a year are exemplary and memorable. Articles about the decline of Hollywood have been around for years, and all of it felt true and evident when comparing the films of 1993 and the 2010-2020s: the rise of Marvel, the decline of moviegoing, the rise of streamers, the cost of going to the movies and making films. There aren't as many films made, and certainly not as many good ones. If you search "the end of Hollywood," you'll find a raft of explainer articles.

The most notable difference I found was a "sense of place." The 1993 films were shot (at least in part) in real locations; the city is a character in the film, grounding it in authenticity. The opening helicopter shot of a city often establishes it from the start. One can feel the actors living in and navigating a genuine space: San Francisco (2), Nashville, Panama City Beach, FL, Chicago, Western Mass, Watts, Philadelphia, Memphis, the Caymans, Columbia, SC, Durham, NC, Saint Louis, MO, New Orleans, Las Vegas, Austin, Minneapolis, Woodstock, IL, Manor, TX. The standards, LA and NY, were only a total of three films.

Further, the fact that these were pre-digital films, "shot on film," made me feel like the whole thing was more real and honest. I'm likely to say that, given my bias toward film, but today, certain directors only shoot on film for particular reasons related to urgency, focus, and aesthetics. For all the cliché reasons that people (me) talk about shooting on film, the same applies to movies. The sense of importance is higher, and the pressure is greater. And there's an imperfection to it. Some of the takes aren't perfect, but the flaws make it real. Finally, I noticed better editing. I feel that all films today could benefit from a stronger edit. Editing is a dying art.

Over the month, I began to categorize the films in my head. Here's the abbreviated recap:

Surprises/Hidden Gems: The Thing Called Love, The Program, In the Line of Fire, Tombstone, King of the Hill, Fearless, Shortcuts, Menace II Society, Ruby in Paradise

To a degree, the "Surprises" and "Oscars-Nominated" categories were the point of this entire month. I wanted to find things I didn't know existed or had no prior knowledge of. Those "blank-slate" films were the most enjoyable experiences. I had no idea if they would be very good, and the ones I loved the most had a personal resonance for me. There were two female-led movies that I adored: The Thing Called Love and Ruby in Paradise. They are both coming-of-age films: one is about trying to become a singer-songwriter, and the other is simply about figuring out life. Ruby in Paraside is Ashley Judd's first film, and it's perfect. I cried a little.

The Program was also deeply personal; I should have expected a movie about a college football program to be so relatable. It's the best college football film I've ever seen. James Caan mailed in his performance, but the topics covered—academic integrity, steroid use, bar fights, hanging out in the weight room, and staying in hotels before the game—were all accurate to my childhood. Also, the gameplay was the best I've seen in a film, though the game plan often made little sense.

King of the Hill was another surprise: a kid manages to survive during the Great Depression without his family, directed by Steven Soderberg. On paper, I shouldn't have enjoyed this film (a historical drama starring a child), but it was beautiful. In the Line of Fire was fantastic; I have a soft spot for action/thrillers, and this one is well-acted (John Malkovich, yes), and the premise just works. Fearless was a complete surprise; Jeff Bridges survives a plane crash and thinks he's invincible. The film alternates between loud and quiet and asks some of the most profound questions about the meaning of life. Short Cuts had been on my list for a while; Robert Altman's three-hour ensemble piece. It's brilliant and clearly an inspiration for many films that followed. Finally, Menace II Society is excellent. The Hughes Brothers, then twenty-one years old, directed it. It's a gritty feat.

Oscar-nominated and felt like I should watch them: Philadelphia, Shadowlands, The Age of Innocence, The Remains of the Day, Searching for Bobby Fischer, What's Eating Gilbert Grape

The Oscars's category was hit or miss. I was happy to have finally seen Philadelphia, but it's more historically significant than good or enjoyable. I preferred Remains of the Day to The Age of Innocence. Michelle Pfieffer felt entirely miscast and had zero chemistry with Daniel Day-Lewis. Shadowlands was thought-provoking, and having taught C.S. Lewis, I was into it. Searching for Bobby Fischer was sweet but didn't entirely live up to my expectations. Finally, What's Eating Gilbert Grape is problematic, then and now. Beyond the fact that most of it doesn't age well, it's not great for a number of other reasons.

I was too young when I first saw them (and can barely remember them): The Fugitive, For Love or Money, So I Married an Axe Murderer, Dave, The Firm, The Pelican Brief

This category was quite fun for me. I had seen these films, but I had no recollection of them at all. And they were all very good. I enjoyed The Pelican Brief more so than The Firm (I read both books when I was probably 12); the plot of The Pelican Brief (two Supreme Court Justices are murdered) is more interesting than the plot of The Firm. And Julia Roberts and Denzel Washington are more captivating to watch on screen than Tom Cruise, Gene Hackman (despite my love of Hackman), and Jeanne Tripplehorn, somehow. So I Married an Axe Murderer is Mike Myers 101. It's all there and hilarious. Dave is one of the best films ever; I didn't remember this film, and I smiled throughout the whole thing. The Fugitive is as good as ever but a little long. And For Love or Money is a charming and fun romantic comedy.

Watched in the past five years and enjoyed: Demolition Man, Indecent Proposal, True Romance

I watched all of these in the summer of 2020. My memory was a bit hazy. Demolition Man is a piece of genius. It should be studied for its prescience brilliance. Indecent Proposal is a film for adults, and I wish we had more movies like this, just fun, conversation-starting, sexual thrillers. True Romance is as excellent as the first time.

Fine: Malice, Manhattan Murder Mystery, Twenty Bucks, Point of No Return.

Malice is absolutely wild; it's essentially a horror film. It earned bonus points for being filmed in the part of Western Mass I used to live in. Manhattan Murder Mystery was sufficiently and predictably Woody Allen. I thought I had seen it (I confused it with Broadway Danny Rose), but I hadn't. Twenty Bucks stars Brendan Fraser and follows one twenty-dollar bill throughout the film. It's fine. Point of No Return was rather annoying to me; it was the only film I actively didn't enjoy. Some gender-related things were off for me.

All-Timers in my top-five most rewatched: Groundhog Day, Dazed and Confused

I saved these for the final two days: a reward of sorts. I watched Groundhog Day with the director's commentary by Harold Ramis. It's not a particularly notable commentary, as far as this genre goes; the ability to "solo pod" or monologue wasn't a well-developed skill in 2008 for the 15th Anniversary DVD edition. But it's a perfect movie; it simply is.

My brother introduced me to Dazed and Confused on my last day of middle school. I learned he saw it at Brown when it came out in the fall of 1993. He held onto it for five years and showed it to me to correspond with the plot of the film. We quote this movie to each other nonstop. His son, my nephew, joined to close out the month, and we showed it to him for the first time. It felt like a full-circle family moment.

Overall, this project served as a reminder that you can cultivate any habit you desire. On July 1st, I felt an urge to watch a movie. My day felt incomplete without it. I also noticed that my attention span increased. I went to see F1 on the third, and it felt shorter than two hours and thirty-five minutes (though, of course, I think it could have been edited down). As attention spans wane, and watching a three-minute reel at 2x feels excessively long, it was enjoyable to sit and watch a whole movie. To be in the "present moment," each day for a certain amount of time, felt great. I certainly need more of that.

Ratings and order watched below, based on the Letterboxd scale (0-5).

1 So I Married an Axe Murderer - 3 1/2

2 The Fugitive - 3 1/2

3 For Love or Money - 2 1/2

4 Dave - 4

5 The Thing Called Love - 3

6 Malice - 2 1/2

7 Demolition Man - 3 1/2

8 The Remains of the Day - 3 1/2

9 The Age of Innocence - 3

10 Shadowlands - 3 1/2

11 Philadelphia - 3 1/2

12 The Program - 2 1/2

13 The Firm - 3

14 Indecent Proposal - 3

15 Point of No Return - 1 1/2

16 Tombstone - 3 1/2

17 In the Line of Fire - 3 1/2

18 King of the Hill - 4

19 The Pelican Brief - 3

20 Searching for Bobby Fischer - 3 1/2

21 Fearless - 3 1/2

22 Manhattan Murder Mystery - 3

23 Short Cuts - 4

24 Twenty Bucks - 2 1/2

25 Menace II Society - 4

26 Ruby in Paradise - 4

27 What's Eating Gilbert Grape 3 1/2

28 True Romance - 4

29 Groundhog Day - 5

30 Dazed and Confused - 5

N.B. Films I skipped: Schindler's List (seen and had recently watched The Pianist), Jurassic Park, The Piano, Mrs. Doubtfire, Sleepless in Seattle (all seen in the previous two years).

On the list but didn't get to: Carlito's Way, Blood In Blood Out, A Bronx Tale, Cliffhanger, The Nightmare Before Christmas.

Barcelona Birthday

Gina Talley April 13, 2025

My birthday is inauguration day. At some point in the autumn, before November, I decided I wanted to be out of the country for my birthday. The day was also MLK Day, so I didn't have to work. I looked for direct flights from Philly, and Barcelona was the best option. I had wanted to return to Barcelona since my first visit in 2017. The weather in January isn't too bad, and it's far, far less touristy than any other time of year. A lovely long weekend seemed plausible.

We arrived on a Friday morning, somehow not jetlagged, and adventured out. The trick to avoiding jetlag is not to change time zones: we slept in and stayed up late. I've never had a trip so unaffected by the time change. That's not a sustainable plan for many trips, but it worked for a weekend.

I limited the museum visit plans to La Sagrada Família, Park Güell, and Fundación MAPFRE, a photography museum. I mainly wanted to see the light in Barcelona that I remembered: the warm golden hues, the perfect angle on every corner, the clarity of the sunshine. We managed to see it all.

After landing, we checked into our Airbnb in Eixample, stopped for coffee at Nomad Coffee Bar, and went to Mercat de Sant Antoni for some quintessential tapas at Bar Pinotxo. I had been to this restaurant in the market last time and wanted the razor clams. Then, we stopped for another coffee and a small pastry treat at Onis Coffee. Finally, though not impulsively, we found a 70mm showing of The Brutalist. After seeing Anora in San Francisco, I was excited to continue the weird idea of seeing a film in the theater on vacation. The theater was packed, and we were in the front row: no reserved seating or credit cards at Phenomena. I highly recommend the film for so many reasons.

On Saturday, after another stop at Onis Coffee, we walked the city, from La Rambla and El Born to the beach, dinner, and back. We stopped for churros at Granja M. Viader for the most memorable churros I've had in Spain, or elsewhere. They were tiny and delicate, and perfectly fried. Then we walked to Fundación MAPFRE for a Cartier-Bresson exhibit. I'd never seen so many Cartier-Bresson photos, in one place, in person. I say this every time I go to a photo museum, but the fun and delight of seeing photos as the only art form is rare and moving. I will forever wish that this experience was more available in the US.

After the museum, we walked along the beach as city dwellers enjoyed their warm, sunny, 60-degree winter Saturday. It was almost too idyllic for my Philadelphia, northeast self to handle. Then we took a recommendation and went to Bar Brutal near the Gothic Quarter. We sat for hours, drank organic wine, conversed with fellow travelers, and ate most of the menu (scallops, cured tuna, roasted carrots, bone marrow, everything). My drinking tolerance is so low at this point, but I will always love sitting at a dark bar with good company and conversation. Somehow, looking back at my iPhone photos, I didn't want the night to end, so we went to another bar, Bar Cugat, and had two classic tapas (and vermut): patatas bravas and pan con tomate.

The next day, understandably, we slept in. I wanted to venture somewhere outside the city and decided on San Cugat del Vallès for a Sunday vintage market: Mercantic. The regional rail train was incredibly easy to navigate. After a few great thrifting finds in Tokyo, I'm trying to find vintage items on trips outside the US. I picked up two key chains (and have since learned quite a bit about removing rust). After browsing and having a snack, we returned to Barcelona to visit La Sagrada Família.

I planned ahead for timed tickets at sunset. We had the last possible time before closing, which meant there was almost no one behind us on the trip up, across, and down. We lingered as long as we wanted and then enjoyed the western light and shadows on the interior. The way the red and orange stained glass reflected inside the cathedral was simply magic. Seeing the beauty of architecture and light come together was pure joy. Next, we went to a wine bar, Salvatge, for a bit. Then, we planned to watch the Eagles playoff game at a sports bar. Reddit led us to an entirely packed bar. While in line for that bar, a group of Eagles fans told us about another bar a few blocks away with seats. So, we followed other fans to a soccer bar and watched the game. As always, finding the Philly attitude, accent, and cursing ability outside the country is always entertaining and fascinating.

The next day was my birthday. I picked Park Güell and a nice spot for dinner. I also had to take my birthday self-portrait. The rules of this documentation are loose and simple: a document, on film, of myself, wherever I am. Last year was entirely composed and planned, while this year was open and unexpected. My travel partner went out to gather coffee and pastries while I shot a quick half-roll of portraits in various mirrors. Luckily, one worked out, as it usually does.

The first stop of the day was Park Güell. I had been to the park before but was looking forward to visiting with fewer tourists. Comparatively, the park was empty. We started at the Gaudí House Museum and then spent a while exploring until closing time, which was just about sunset. As in the cathedral, influencers were everywhere and rather annoying in a new, video-focused way. Then, we walked to dinner at Babula Bar 1937. I had wanted a nice birthday dinner, and this spot was excellent. As a restaurant/service industry worker, I'm used to the fast-paced expectations of a meal in the US. The idea that you have a table for a certain amount of time is normal. Here, we enjoyed a four-hour, slow dinner. Again, we ate most of the menu, and it was all awesome: creative, unique, and appropriately-cooked. It was a perfectly memorable birthday dinner and day. It was the distraction I wanted.

The next morning, we grabbed coffee and an Uber to the airport. At a certain age, you realize that you should plan your own birthday. You grow up, to a certain degree, and realize that no one can, or should have to, read your mind. With some privilege and calendar serendipity, you can organize your birthday, do precisely what you want, where you want, and see who accepts the invitation. And, none of it disappointed. The rest, though, is history.

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Winter Break, Away

Gina Talley March 23, 2025

I am always learning. I take the liberal arts "life-long learner" thing to heart. I've made it my job and purpose in life. Only sometimes, though, do I apply this learning to my life. By now, I know that I must travel the first week of January. It doesn't matter where I go; I can't be home that week. This year, I had a chance to travel for New Year's and parlayed a flight to the West Coast into a research week in Tucson.

We started in Vegas a few days before the New Year. I was willing to visit Vegas if we left before New Year's Eve. Last year, on my first adult visit to Vegas, I found it genuinely bizarre. But this time, I embraced the absurd and endless adult playground (...with far too many children around). We landed late in the evening, took a taxi to the hotel, and had a snack at a bar inside our hotel.

The following day, we had reservations for brunch at Esther's Kitchen in the Arts District. Brunch was excellent, and then we walked back to the Strip, via a stop to see the Sphere. The walk certainly lets you see a slightly "more real" version of the city. We had dinner at Best Friend in the Park MGM. The restaurant is a Korean Mexican fusion restaurant, and the food was very good. We didn't have a reservation, but there were spots at the bar. Then, I had the idea to go to the top of the Eiffel Tower. Again, I've embraced the weird high-up tourist spots. The nighttime view was actually very cool; really, the Sphere, adds quite a bit of interest to the skyline.

The next morning, we took the open-air, hop-on-hop-off bus to the old downtown. In November, we did this tour in Philly, inspired by Robert Frank's "From the Bus" series in New York. I highly recommend the Philly tour, but do not recommend the Vegas version. Seemingly, it helps if the city has hundreds of years of well-documented history to discuss; the Vegas tour was slow and uninformative. So, we got off the bus at the northernmost stop and had nachos and giant margaritas at Nacho Daddy. Honestly, excellent and hokey. 10/10, no notes. It was a weird, pre-New Years-ish day, and being in a weird bar in Vegas felt appropriate.

Then we walked to the Neon Museum for tickets right at sunset. The museum collects the old, discarded signs from the town. It's a gorgeous graveyard that you can't bring cameras in to photograph; nope, only phone photos are allowed. Then we walked through Freemont Street, which was another truly strange experience. It's like the Wildwood Boardwalk to the max but more liberal. We bought donuts and went home for the night.

We left town on the 30th, and it was already seeming busier for NYE. My personal expiration date for Vegas is around 48 hours. You can embrace it for that time and spend whatever you want on whatever you want for only so long. I wish it had been a bit warmer, but that's okay. After a quick stop at In-N-Out-Burger, we drove to Flagstaff for a three-night stay. I love Flagstaff and would love to live there. On the first night, we had beers at Mother Road Brewing before dinner at Pizziceletta. The pizza was pretty good; I recommend it. But, the homemade gelato was actually a bit more memorable than the pizza. Then, we randomly played bingo at Dark Star Brewing.

On NYE, we went to the Grand Canyon after a stop for breakfast and coffee at Single Speed Coffee Roasters. I don't know why, but it felt nice to be in the park on that day. It felt like a kismet thing. I've been to the Grand Canyon three times before, but it always lives up to the name. New Year's-wise, I don't put much thought into the concept; my only goal is not to work. Before the Grand Canyon, we stopped at Wupatki National Monument, a pueblo occupied from the early 1100s to the mid 1200s CE: a place I had on my map for a long time.

After sunset at the Grand Canyon, we drove back to Flagstaff. This random town seemed like the perfect small town for NYE. Only a few days before the new year did we learn that Flagstaff has the 5th-best NYE "drop" in the US. They drop a Pinecone three times in the town center: Noon, 10 pm, and midnight. I must admit, I appreciated the 10 pm drop. It was packed; we did the countdown and went home. Honestly, no regret. Time is a flat circle.

On New Year's Day, we drove down to Sedona. I'd been through Sedona as well but never hiked. We did a 6-mile flat loop around Cathedral Rock. It felt nice to start the year with a long, warm hike in the desert.

The next day, we made it to breakfast at Martanne's Breakfast Palace, the most memorable meal from my last visit. A solid Mexican-American breakfast place that doesn't exist in the same way on the East Coast. Then, my travel partner flew home from Phoenix, and I drove to Tucson for a week of research at the Center for Creative Photography. I was so excited to return to Tucson because I'd enjoyed my past two visits: one for yoga and one on a roadtrip. It's simply a reasonable city with nice weather in the winter, ample hiking, and regular people. I'll continue to make the argument that it's the smaller, southwest version of Philly.

I arrived in Tucson on a Thursday so that I could enjoy four days of hiking. It was a rather cold winter in Philly, and it killed my daily hiking resolve. I picked an Airbnb on the very east side of town with views of the mountains and proximity to the trailheads in East Saguaro National Park. I found a hike each day. I also found myself unprepared for hiking in 80-degree weather. On one of the cooler days, I managed a four-hour hike; I kept the rest shorter. These four days were quiet: an intentional rest in the desert.

For the work week, I moved Airbnbs to within a mile of the archive. I had been to the Center for Creative Photography at the University of Arizona in 2020 and never, at that time, imagined I'd return for research purposes. So much has changed in the last five years. I spent a week researching in their small reading room, Monday through Friday. As far as archival research experiences go, this one was great. I gathered research for a new chapter on photographer Edward Weston and collected information to add to two other chapters. After the archive closed, I'd walk around before sunset, take photos, and stop in a brewery: Pueblo Vida, Barrio, and Slow Body.

I was out of town for 15 days. It felt amazing. That's the longest I've been "away" since a summer study abroad. Being warmer than Philly was incredibly important to my well-being. The plan to miss a good portion of January worked; I'll always try to be somewhere warm that week, somehow. Some things still feel possible, despite it all.

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